Dance analysis 1Laajuus (2 cr)
Code: KU00CH34
Credits
2 op
Enrollment
02.07.2024 - 29.11.2024
Timing
03.09.2024 - 18.12.2024
Number of ECTS credits allocated
2 op
Mode of delivery
Contact teaching
Unit
Arts Academy
Campus
Linnankatu Arts Campus
Teaching languages
- Finnish
- English
Seats
10 - 14
Degree programmes
- Degree Programme in Performing Arts
Teachers
- Heidi Alppirinne
Groups
-
PTANSS24
Materials
“Motif Writing” workbook, Ann Hutchington Guest/ The Language of Dance Center
Teaching methods
Throughout the whole teaching process of LMA there will be different approaches towards the material.
- Contact teaching on place (Taideakatemia, Linnankatu)
- individual practical exercising in the dance space
- reading and writing assignment as homework
- group discussions and reflection
- teamwork
- partner – work / “hands on”
International connections
Contact teaching on place (Taideakatemia, Linnankatu)
- lectures by teacher
- teaching language: English
- written workmaterial: English language / Finnish language
- the teacher takes into consideration that original terminology of LMA is in German and English language
Student workload
Movement Observation Task (max.2x 90 min. in school/90 min.home)
- learning to note observation with the help of a “coding sheet” (theory in class)
- class work: observing in partner work – observations of the other’s moving
- method: ticking – quantity/ amount of seen parameters of Bartenieff Fundamentals (Principles, Basic 6, Developmental patterns)
- class discussion/ reflection
- homework:
a) choreographing a warming up series of exercises (max.5) choosing from Bartenieff Fundamentals material
b) videotaping the own moving of the movements
c) noting (words) self-observation of doing/ sensing/proprioceptive
d) noting observations (coding sheet) after watching self on video
e) written reflection (100-150 words)
Assessment criteria, approved/failed
Evaluation criteria
- active participating during contact class
-showing growth in active use and application of LBMS in own movement practise
Content scheduling
Course unit information
Laban/Bartenieff Movement Studies (LBMS) is a teaching and learning system based on”Laban Movement Analysis” and “Bartenieff Fundamentals” , internationally applied in movement pedagogy, movement therapy and in the arts of movement and performance.
Studying and applying movement observation is supporting a multidimensional and comprehensive knowledge on movement theory and practice. The student will learn to integrate outer and inner experience of movement.
Objectives
The student is developing skills in movement observation, movement analysis and movement notation within the teaching and learning system in theory and practice of the Laban/Bartenieff Movement Studies.
The student is able to apply basic knowledge of Laban/Bartenieff Movement Studies in its own movement and dance practicing. The student understands the role of LBMS in movement education.
Content
- Learning to understand and integrate movement observation and analysis :
-by learning and applying exercises and work-tools of the systems of Bartenieff Fundamentals and Laban Movement Analysis in the Laban/Bartenieff Movement Studies (LBMS)
- Bartenieff Fundamentals: exercising principles, themes, developmental movement patterns
- Biography Irmgard Bartenieff: in reference to history/dance
- generating embodied knowledge
- Movement observation , movement analysis and movement notation using the system of Laban Movement Analysis
- Biography Rudolf Laban: in reference to history/ dance history
- Space: general space, personal space (Kinesphere), approach to kinesphere, use of dimensions, dimensional scale, diagonal scale
- Effort:
Effort factors and Effort elements, combinations of 3
- Relationship:
- degrees of relationship
- Phrasing: body parts, Body-Space phrasing, What is a phrase?
Movement notation/ Ann Hutchington Guest
- Learning the “Movement Alphabet”: Motif Writing – a simplified version of Labanotation/ Kinetography
Evaluation scale
Hyväksytty/Hylätty
Assessment methods and criteria
- teachers feedback / individual / group
- self-reflection onto relationship towards Laban Movement Analysis the subject of LMA
Enrollment
21.08.2023 - 31.10.2023
Timing
05.09.2023 - 20.12.2023
Number of ECTS credits allocated
2 op
Mode of delivery
Contact teaching
Unit
Arts Academy
Campus
Linnankatu Arts Campus
Teaching languages
- Finnish
- English
Seats
7 - 8
Degree programmes
- Degree Programme in Performing Arts
Teachers
- Heidi Alppirinne
Groups
-
PTANSS23
Teaching methods
Throughout the whole teaching process of LMA there will be different approaches towards the material.
- Contact teaching on place (Taideakatemia, Linnankatu)
- individual practical exercising in the dance space
- reading and writing assignment as homework
- group discussions and reflection
- teamwork
- partner – work / “hands on”
International connections
Contact teaching on place (Taideakatemia, Linnankatu)
- lectures by teacher
- teaching language: English
- written workmaterial: English language / Finnish language
- the teacher takes into consideration that original terminology of LMA is in German and English language
Student workload
Movement Observation Task (max.2x 90 min. in school/90 min.home)
- learning to note observation with the help of a “coding sheet” (theory in class)
- class work: observing in partner work – observations of the other’s moving
- method: ticking – quantity/ amount of seen parameters of Bartenieff Fundamentals (Principles, Basic 6, Developmental patterns)
- class discussion/ reflection
- homework:
a) choreographing a warming up series of exercises (max.5) choosing from Bartenieff Fundamentals material
b) videotaping the own moving of the movements
c) noting (words) self-observation of doing/ sensing/proprioceptive
d) noting observations (coding sheet) after watching self on video
e) written reflection (100-150 words)
Content scheduling
Movement observation by using the system of Bartenieff Fundamentals
- applying theory and practice of Bartenieff Fundamentals
- Biography Irmgard Bartenieff: in reference to history/dance history
- learning proprioceptive observation (sensing self), learning extroceptive observation (outer impulses convert to inner /awareness/ notion)
Movement observation in reference to the system of Laban Movement Analysis
- Biography Rudolf Laban: in reference to history/ dance history
- Space: general space, personal space (Kinesphere), approach to kinesphere, use of dimensions
- Effort: Effort factors and Effort elements
- Relationship: degrees of relationship
- Phrasing: body parts, moving in space
Movement notation
- Learning the “Movement Alphabet”: Motif Notation – a simplified notation for writing down movement observations
Evaluation scale
Hyväksytty/Hylätty
Assessment methods and criteria
- teachers feedback / individual / group
- self-reflection onto relationship towards Laban Movement Analysis the subject of LMA
Enrollment
22.08.2022 - 31.10.2022
Timing
07.09.2022 - 31.12.2022
Number of ECTS credits allocated
2 op
Mode of delivery
Contact teaching
Unit
Arts Academy
Campus
Linnankatu Arts Campus
Teaching languages
- Finnish
- English
Seats
6 - 10
Degree programmes
- Degree Programme in Performing Arts
Teachers
- Heidi Alppirinne
Groups
-
PTANSS22
Teaching methods
Throughout the whole teaching process of LMA there will be different approaches towards the material.
- Contact teaching on place (Taideakatemia, Linnankatu)
- individual practical exercising in the dance space
- reading and writing assignment as homework
- group discussions and reflection
- teamwork
- partner – work / “hands on”
International connections
Contact teaching on place (Taideakatemia, Linnankatu)
- lectures by teacher
- teaching language: English
- written workmaterial: English language / Finnish language
- the teacher takes into consideration that original terminology of LMA is in German and English language
Student workload
Movement Observation Task (max.2x 90 min. in school/90 min.home)
- learning to note observation with the help of a “coding sheet” (theory in class)
- class work: observing in partner work – observations of the other’s moving
- method: ticking – quantity/ amount of seen parameters of Bartenieff Fundamentals (Principles, Basic 6, Developmental patterns)
- class discussion/ reflection
- homework:
a) choreographing a warming up series of exercises (max.5) choosing from Bartenieff Fundamentals material
b) videotaping the own moving of the movements
c) noting (words) self-observation of doing/ sensing/proprioceptive
d) noting observations (coding sheet) after watching self on video
e) written reflection (100-150 words)
Content scheduling
Movement observation by using the system of Bartenieff Fundamentals
- applying theory and practice of Bartenieff Fundamentals
- Biography Irmgard Bartenieff: in reference to history/dance history
- learning proprioceptive observation (sensing self), learning extroceptive observation (outer impulses convert to inner /awareness/ notion)
Movement observation in reference to the system of Laban Movement Analysis
- Biography Rudolf Laban: in reference to history/ dance history
- Space: general space, personal space (Kinesphere), approach to kinesphere, use of dimensions
- Effort: Effort factors and Effort elements
- Relationship: degrees of relationship
- Phrasing: body parts, moving in space
Movement notation
- Learning the “Movement Alphabet”: Motif Notation – a simplified notation for writing down movement observations
Evaluation scale
Hyväksytty/Hylätty
Assessment methods and criteria
- teachers feedback / individual / group
- self-reflection onto relationship towards Laban Movement Analysis the subject of LMA