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Instrument pedagogy 3 / guitar (5 cr)

Code: 2032197-3007

General information


Enrollment

02.07.2022 - 31.07.2022

Timing

01.08.2022 - 31.07.2023

Number of ECTS credits allocated

5 op

Mode of delivery

Contact teaching

Unit

Arts Academy

Teaching languages

  • Finnish

Teachers

  • Timo Korhonen

Objective

opintojakson suoritettuaan opiskelija osaa:
- työskennellä oppilaittensa musiikkisuhteen ja soittotekniikan rakentajana
- toimia itsenäisesti ja pitkäjänteisesti opettajana
- soveltaa analyyttistä työtapaa sekä musiikillista että pedagogista osaamistaan opetukseensa
- käyttää instrumenttipedagogiikan keskeisiä käsitteitä ja –menetelmiä opetuksessaan
- määritellä opetuksen tavoitteet riippuen opetuksen kohderyhmästä
- suunnitella opetusta oppilaan tavoitteisiin sopivaksi
- kohdata oppilaan erilaisissa opetustilanteissa
- tuntee keskeisen D- ja C-tutkintojen tasoisen opetusmateriaalin ja on saanut valmiudet ohjata ja arvioida näihin tutkintoihin valmentautuvia oppilaita
- määritellä musiikkioppilaitosten tasokoejärjestelmän sisällön ja vaatimukset
- tuntee lautakuntatyön periaatteet ja on harjoittanut lautakuntatyötä didaktiikkaryhmässä
- osaa suunnitella ja toteuttaa erilaisia esiintymistilanteita ja valmentaa oppilaansa niihin

Content

Opintojakso sisältää instrumenttididaktiikan opiskelua ja käytännön opetusharjoittelua oman harjoitusoppilaan kanssa
- D- ja C-kurssitason ohjelmisto
- musiikin tyylikysymykset
- esiintymiseen liittyvät kysymykset
- taso- ja valintakoelautakuntatyön perusteet
 

Materials

Learning materials can be found at itsLearning course platform.

Teaching methods

Contact lessons, distance learning, peer learning, following teaching, independent working, teaching of trainee student(s), working on video.

Exam schedules

Two different types of teaching demonstrations of skills in teaching guitar will be given in the spring of the last year of study.

Content scheduling

After completing the Instrument Pedagogy Courses 1-4, the student:
-identify and master the basic technical skills of her instrument and is capable to teach them
-knows the key teaching methods, repertoire, teaching materials of elementary, basic, and advanced studies, including making music together
-is able to set the objectives of teaching on a learner basis and design the lessons in accordance with trainee student’s needs
-can apply the principles of ergonomics creatively and use those skills while working with trainee student
-can guide the learner's training and is able to support the development of the learner's artistic expression and performance capacity
-has internalized the principles of encouraging continuous feedback and can also guide learners in self-assessment and peer review
-can assess the learner's progress and constructively coach and evaluate performance in level performance situations
-can support and guide learners of different ages in both individual and group learning situations
-is able to interact with learners of different levels, ages and from different backgrounds (including adult students) and can teach learners with both for hobby goals and vocational training
-know how to use online pedagogical methods in her pedagogical work
-is familiar with the work of a musical pedagogue in different environments: music colleges that provide basic education in the arts, in the vocational secondary school of music, in the free education sector and in private sector
-can analyze and showcase her own field of art and its pedagogical activities
-has formed a versatile picture of her as a teacher and is able to reflex her own activities and develop capabilities to help grow as a teacher throughout the professional career

Further information

For instant messaging we use Slack application.

Evaluation scale

Hyväksytty/Hylätty

Assessment methods and criteria

Two teachers assess the teaching demonstrations verbally and grading passed/failed.

The teaching demonstration differs from the normal teaching situation. It is a work-life oriented demonstration that simulates the teaching demonstration of competen for a job at a music school. The duration of the teaching sample is 30 minutes, and there is an audience (board, possibly other students). The teaching demonstrations can be given also as video recording.

The teaching demonstration should be designed as a versatile lesson that includes teaching of two different works. Teaching should be in a high level artistically, technically, and theoretically. It may also include other elements of teaching skills, not only playing or singing, but warming-up, technical exercises, music basics, games, having musical fun, etc. In the teaching demonstration, the teacher student presents pedagogical skills and capabilities to the board as comprehensively and structured as possible with his own personal grasp. The educational situation should be interactive and stimulating in the atmosphere.

A sample teaching demonstration help to learn how to act in the real reviewed teaching demonstration. The assignment and conditions are the same as in a reviewed teaching demonstration.

The assessment of pedagogical skills is continuous through the whole studies and contain peer-assessment, formative assessment and self-reflection.