Study Guide

Objective

After completing the course, the student is be able to:

- reflect on their own experiences of participation in different creative, arts-based exercises
- justify the use of arts-based working methods to promote the well-being of clients
- apply arts-based working methods and their guidance according to the needs of different client groups
- identify strengths and development needs in their own guidance skills.

Content

Content of study unit

- exercises, workshops, and processes of arts-based methods
- the possibilities of using selected arts-based methods with different client groups.

The detailed content of the course is described in the implementation plan.
Arts-based methods 1 and 2 complement each other.

Teaching methods

lecture
Teamwork
Creative Functional Exercises
Independent work, learning tasks

Student workload

I
Pre-mission, implementation Fri 23.8.2024
Be prepared to tell us about a moment, event or encounter in your life where music has had a significant effect or where the presence of music has been otherwise important. What happened? I don't know. How did the music feel? What kind of music memory did this give rise to, or was it?

II
Learning task 1
ART TO WORK release, return to ITS by 3 October 2024

Create a clear, inspiring and informative bulletin (A4) about a project involving art-based methods that utilise music in your workplace or other work community. Market and sell your ideas and direct the newsletter to the management staff in your community.

For example, briefly answer the following questions in your newsletter:
What kind of art activity do you propose for the work community and why?
What is the goal of the project?
What needs does the project meet?
What measures must be taken in the work community in order to implement the project?
Why is it worth investing in well-being?
What methods are used?
What impact can art have on this community?
What kind of research and the effects of art on well-being can be invoked?
What does it take for the community to successfully execute the project?
How is the activity funded, do you have any suggestions in this regard?

Use pictures and make the newsletter interesting!
Please return your information by 3:10 a.m.

III
Learning task 2
MUSIC MEMORY project, return by 7 November 2024, the project should be started on time.

Here are some general guidelines for your project. The implementation, structure and design of the content is part of the project. Proceed as you choose appropriately.

The core of the task is to make it practical so that the project leaves some concrete outcome:
- a music recording compiled for a particular person of music memories that are important to him or her, or memories that music is essentially related to, and
- on the basis of your conversations, the memories related to those selected pieces of music written.

For example, five songs/musical works from different stages of life and related memories, stories, experiences.

For example, if you have a memory-impaired interviewee, you can also talk to your relatives. Of course, permissions must always be cleared. Your work can be made easier by recording your conversations so you can focus better on the conversation when you don't have to take notes at the same time.

Consider whether it is necessary to have, for example, photographs as a basis for your conversations, or in what other way you could create a good atmosphere for your conversation.

If for some reason it is impossible to compose a recording, then you can also do a written report in which the music that has been brought up in the conversations + the related life stories/memories have been written. Remember to write the authors accurately for the music (composer, lyricist) and if it is relevant to the memory, so is the possible performer and/or arranger.
The final output is intended to be handed over to the interviewee / his/her relatives (and possibly the medical staff find out this) with the idea that the music recording can be listened to alone or together with the caregiver and/or relatives in the future perhaps replay the memories and continue discussions about it.


Please clarify in advance if the text you have written should be read by the interviewee before finishing the work. I thought that if the memories seem very personal, reading them may seem “revealing” or strange —is that so? It certainly depends on the situation, the memory and who they share them with.

IN ADDITION:
Write down in a different document (this is not given to the interviewee, but only to our group) also the progress of your project; the different stages of the work, as well as your own reflections and justifications for the implementation of the work.

So you're restoring three different files:
- music recording or similar (also given to the interviewee)
- the key points of the discussions recorded (also given to the interviewee)
- project progress and different phases, reflections and self-evaluation


Return of the mission by 7 November to Its.
Some of these implementations will be presented to the whole group on Thursday 14 November

In addition:
Possible replacement tasks due to absence, for example, will be agreed on a case-by-case basis with the teacher.

Assessment criteria, approved/failed

Presence in contact teaching, participation in functional exercises and discussions, and return of learning tasks according to schedule.

Content scheduling

Lecture: On the nature and well-being effects of music The wide range of meanings and implementations of music in hospital and nursing environments,
- experiences from the field using various objects and percussion instruments as a tool for interactive improvisation, functional exercises in a group
The student gains experiential experience with interactive musical exercises. The exercises aim to strengthen the imagination, relax in a group, sensitize listening, communicate with music and create new soundscapes together with others.
- Caring songs and games, creating soundscapes and verbalizing one's own feelings
- Independent work and learning tasks

The Art-Based Methods 2 course explores the wide range of meanings, effects and implementations of music among different target groups.

The course will take place during the autumn of 2024.

Evaluation scale

Hyväksytty/Hylätty

Objective

After completing the course, the student is be able to:

- apply and develop approaches and working methods of creative well-being among different communities and organisations in accordance with their own professional competence

- utilise individual, group, community, and networking skills in producing content related to creative well-being and in developing practices and structures that enable and promote creative well-being

- design and co-develop creative well-being services as part of an interprofessional team in a customer-oriented way

- assess the impact and meaning of creative well-being activities

- identify and analyse the ethics and values of creative well-being

- identify and analyse creative well-being as part of sustainable development and society

- outline, communicate and reflect on their own competences in the professional field and structures of creative well-being.

Content

Content of study unit

The studies will strengthen both theoretical and practical skills in enabling creative well-being in different settings, service processes and with different actors.

The course introduces the planning and evaluation of creative well-being services.

The course will outline the funding of creative well-being, systems thinking and sustainable development.

It examines the ethical principles of the field of creative well-being in relation to different professional fields.

The course introduces students to the presentation and communication of their own professional expertise in the field of creative well-being.

Materials

Will be announced on the Itslearning learning platform. Some of the materials are in English.

Teaching methods

Thematic presentations, talks, lectures, pair and small group work. Teaching will take place face-to-face at the Kupittaa Campus using art-based methods and the students' own specific skills.

Individual work involves familiarisation with the course literature and source materials, practising knowledge acquisition and processing, and structured presentation of issues. The assignments will involve the use of art-based methods.

Exam schedules

No final exam.

International connections

The contact teaching will introduce the theory and research central to the course and will include discussion and sharing of experiences on the topics covered. Small group work emphasises self-direction, peer learning, reflection skills, creativity, multi-professionalism and dialogical interaction. Innovation pedagogy is at the heart of all Turku University of Applied Sciences courses. Learning takes place by applying theory to practice and working life.

Sustainable development is one of the topics covered in the course, and many of the other topics are also connected to various dimensions of sustainable development.

Completion alternatives

There is no optional way of completing the course.

Student workload

- Pre-assignments for the contact days
- Learning assignments

The learning tasks of the module are described in more detail on the Itslearning platform.

Assessment criteria, approved/failed

Passed: The student has returned all pre-assignments and learning tasks and has actively participated in the contact learning. The student demonstrates mastery and application of course content in learning tasks and pre-assignments. If AI has been used in the course assignments, the student has clearly indicated in the assignments how, why and where AI has been used and what software or applications have been used. AI has been used appropriately to support learning, not directly to produce ready-made answers.

Failed: The student has not returned all pre-assignments and learning tasks, has not participated in the contact learning or has not completed compensatory assignments. Returned pre- assignments and learning tasks are too superficial and/or do not cover the main part of the topics requested in the assignment. The language used in the exercises is not understandable. The tasks are done using AI, with no indication of its use, or the tasks are mostly done using AI, with no self-reflection.

Content scheduling

During the course, the student will deepen and develop his/her knowledge and skills as a professional in the field of creative wellbeing. The course is structured around the different themes of the contact days.

The students will work in multi-professional teams where they will share their knowledge and skills. Some parts of the course may be delivered in English and integrated into RDI projects.

The topics of the course include:
- ethics, values and quality in creative wellbeing activities
- evaluation and design of creative wellbeing activities and services
- expert communication and argumentation
- creative wellbeing as part of society; structures and politics
- funding and systemic thinking in the field of creative wellbeing and sustainable development.

The course builds on what has been learned in the course Creative Wellbeing as a Competence.

The course will start in August 2024 and will be implemented during the contact days of the Master School degree in Creative Wellbeing.

Contact teaching:

23rd August, 9.00-12.00
20th September, 9.00-12.00
10th October, 13.00-16.15
11th November, 9.00-12.00
15th November, 9.00-12.00
12th December, 9.00-12.00

The content of the course may be supplemented and adapted according to current themes and events.

Evaluation scale

Hyväksytty/Hylätty

Assessment methods and criteria

Assessment will be based on pre-assignments and learning tasks to be completed during the course, as well as active participation in the contact days. The course teachers will assess the completion of the task according to the instructions, the application and use of the source material, the fluency of multidisciplinary cooperation, the expression of own reflections and understandable, clear language. If the student uses artificial intelligence to complete the course, the student should indicate why, how and in which tasks it has been used. The assessment will focus on both completing the tasks and active participation.

Qualifications

Creative Wellbeing as a Competence course must be completed before this course.

Objective

After completing this course, the students will be able to
• critically evaluate and apply research knowledge
• use the chosen methods to analyse ja solve problems in working life
• work independently as an expert in demanding contexts in which he/she is managing his/her own and possibly also the others’ work in a target-oriented way
• communicate and network in his/her own field and in international environment
• take into account communal and ethical perspectives of his/her professional field

Content

An essential part of Master-level studies is a thesis of 30 credits. The thesis process starts immediately at the beginning of the studies, and it continues through the entire cycle of studies.

The thesis is implemented as a development project with a research-based approach and a close connection to practical work. The student carries out his/her development work at his/her workplace, in RDI projects of the Turku University of Applied Sciences, in working life connections or in a manner agreed with the supervisor. The thesis is based on commission, if possible. It is preferable that the thesis is based on an assignment.

The thesis relies on in-depth information gathering and analysis, and the development process utilizes relevant research methods following principles of good scientific practice. The thesis includes documenting and reporting on development activities. The student will become familiar with the methodological skills necessary for development and reporting in the course on research and development methods.

In Master’s programmes in Culture and Arts, the thesis is divided in two parts:
- A 5 credits course Development work methods and design (1st semester), and
- Implementation and reporting of the development project, 25 credits (2nd ja 3rd semester).

Implementation and reporting of the development project (25 ECTS) includes the following steps:
• Presenting the thesis plan and finalizing it making use of feedback
• Thesis agreement
• Implementation, related research activities and documentation of the work in accordance with industry practice and in a meaningful way for the thesis
• Participation in group supervision sessions (“thesis learning café”) and individual guidance of the thesis
• Presentation of the results after completion of the thesis
• Maturity test: The student must write a maturity examination in the field of the thesis. This demonstrates awareness with the subject and the linguistic competence. If the (excellent) competence of the school education language has already been assessed in previous studies, the maturity test will only serve as a test the professional expertise. The maturity test is evaluated on a scale approved/ failed.
• Ensuring that there is no plagiarism in the thesis and evaluation of the thesis

Evaluation scale

H-5

Objective

After completing the course, the student is be able to:

- reflect on their own experiences of participation in different creative, arts-based exercises
- justify the use of arts-based working methods to promote the well-being of clients
- apply arts-based working methods and their guidance according to the needs of different client groups
- identify strengths and development needs in their own guidance skills.

Content

Content of study unit

- exercises, workshops, and processes of arts-based methods
- the possibilities of using selected arts-based methods with different client groups.

The detailed content of the course is described in the implementation plan.
Arts-based methods 1 and 2 complement each other.

Teaching methods

lecture
Teamwork
Creative Functional Exercises
Independent work, learning tasks

Student workload

I
Pre-mission, implementation Fri 23.8.2024
Be prepared to tell us about a moment, event or encounter in your life where music has had a significant effect or where the presence of music has been otherwise important. What happened? I don't know. How did the music feel? What kind of music memory did this give rise to, or was it?

II
Learning task 1
ART TO WORK release, return to ITS by 3 October 2024

Create a clear, inspiring and informative bulletin (A4) about a project involving art-based methods that utilise music in your workplace or other work community. Market and sell your ideas and direct the newsletter to the management staff in your community.

For example, briefly answer the following questions in your newsletter:
What kind of art activity do you propose for the work community and why?
What is the goal of the project?
What needs does the project meet?
What measures must be taken in the work community in order to implement the project?
Why is it worth investing in well-being?
What methods are used?
What impact can art have on this community?
What kind of research and the effects of art on well-being can be invoked?
What does it take for the community to successfully execute the project?
How is the activity funded, do you have any suggestions in this regard?

Use pictures and make the newsletter interesting!
Please return your information by 3:10 a.m.

III
Learning task 2
MUSIC MEMORY project, return by 7 November 2024, the project should be started on time.

Here are some general guidelines for your project. The implementation, structure and design of the content is part of the project. Proceed as you choose appropriately.

The core of the task is to make it practical so that the project leaves some concrete outcome:
- a music recording compiled for a particular person of music memories that are important to him or her, or memories that music is essentially related to, and
- on the basis of your conversations, the memories related to those selected pieces of music written.

For example, five songs/musical works from different stages of life and related memories, stories, experiences.

For example, if you have a memory-impaired interviewee, you can also talk to your relatives. Of course, permissions must always be cleared. Your work can be made easier by recording your conversations so you can focus better on the conversation when you don't have to take notes at the same time.

Consider whether it is necessary to have, for example, photographs as a basis for your conversations, or in what other way you could create a good atmosphere for your conversation.

If for some reason it is impossible to compose a recording, then you can also do a written report in which the music that has been brought up in the conversations + the related life stories/memories have been written. Remember to write the authors accurately for the music (composer, lyricist) and if it is relevant to the memory, so is the possible performer and/or arranger.
The final output is intended to be handed over to the interviewee / his/her relatives (and possibly the medical staff find out this) with the idea that the music recording can be listened to alone or together with the caregiver and/or relatives in the future perhaps replay the memories and continue discussions about it.


Please clarify in advance if the text you have written should be read by the interviewee before finishing the work. I thought that if the memories seem very personal, reading them may seem “revealing” or strange —is that so? It certainly depends on the situation, the memory and who they share them with.

IN ADDITION:
Write down in a different document (this is not given to the interviewee, but only to our group) also the progress of your project; the different stages of the work, as well as your own reflections and justifications for the implementation of the work.

So you're restoring three different files:
- music recording or similar (also given to the interviewee)
- the key points of the discussions recorded (also given to the interviewee)
- project progress and different phases, reflections and self-evaluation


Return of the mission by 7 November to Its.
Some of these implementations will be presented to the whole group on Thursday 14 November

In addition:
Possible replacement tasks due to absence, for example, will be agreed on a case-by-case basis with the teacher.

Assessment criteria, approved/failed

Presence in contact teaching, participation in functional exercises and discussions, and return of learning tasks according to schedule.

Content scheduling

Lecture: On the nature and well-being effects of music The wide range of meanings and implementations of music in hospital and nursing environments,
- experiences from the field using various objects and percussion instruments as a tool for interactive improvisation, functional exercises in a group
The student gains experiential experience with interactive musical exercises. The exercises aim to strengthen the imagination, relax in a group, sensitize listening, communicate with music and create new soundscapes together with others.
- Caring songs and games, creating soundscapes and verbalizing one's own feelings
- Independent work and learning tasks

The Art-Based Methods 2 course explores the wide range of meanings, effects and implementations of music among different target groups.

The course will take place during the autumn of 2024.

Evaluation scale

Hyväksytty/Hylätty

Objective

After completing the course, the student is be able to:

- apply and develop approaches and working methods of creative well-being among different communities and organisations in accordance with their own professional competence

- utilise individual, group, community, and networking skills in producing content related to creative well-being and in developing practices and structures that enable and promote creative well-being

- design and co-develop creative well-being services as part of an interprofessional team in a customer-oriented way

- assess the impact and meaning of creative well-being activities

- identify and analyse the ethics and values of creative well-being

- identify and analyse creative well-being as part of sustainable development and society

- outline, communicate and reflect on their own competences in the professional field and structures of creative well-being.

Content

Content of study unit

The studies will strengthen both theoretical and practical skills in enabling creative well-being in different settings, service processes and with different actors.

The course introduces the planning and evaluation of creative well-being services.

The course will outline the funding of creative well-being, systems thinking and sustainable development.

It examines the ethical principles of the field of creative well-being in relation to different professional fields.

The course introduces students to the presentation and communication of their own professional expertise in the field of creative well-being.

Materials

Will be announced on the Itslearning learning platform. Some of the materials are in English.

Teaching methods

Thematic presentations, talks, lectures, pair and small group work. Teaching will take place face-to-face at the Kupittaa Campus using art-based methods and the students' own specific skills.

Individual work involves familiarisation with the course literature and source materials, practising knowledge acquisition and processing, and structured presentation of issues. The assignments will involve the use of art-based methods.

Exam schedules

No final exam.

International connections

The contact teaching will introduce the theory and research central to the course and will include discussion and sharing of experiences on the topics covered. Small group work emphasises self-direction, peer learning, reflection skills, creativity, multi-professionalism and dialogical interaction. Innovation pedagogy is at the heart of all Turku University of Applied Sciences courses. Learning takes place by applying theory to practice and working life.

Sustainable development is one of the topics covered in the course, and many of the other topics are also connected to various dimensions of sustainable development.

Completion alternatives

There is no optional way of completing the course.

Student workload

- Pre-assignments for the contact days
- Learning assignments

The learning tasks of the module are described in more detail on the Itslearning platform.

Assessment criteria, approved/failed

Passed: The student has returned all pre-assignments and learning tasks and has actively participated in the contact learning. The student demonstrates mastery and application of course content in learning tasks and pre-assignments. If AI has been used in the course assignments, the student has clearly indicated in the assignments how, why and where AI has been used and what software or applications have been used. AI has been used appropriately to support learning, not directly to produce ready-made answers.

Failed: The student has not returned all pre-assignments and learning tasks, has not participated in the contact learning or has not completed compensatory assignments. Returned pre- assignments and learning tasks are too superficial and/or do not cover the main part of the topics requested in the assignment. The language used in the exercises is not understandable. The tasks are done using AI, with no indication of its use, or the tasks are mostly done using AI, with no self-reflection.

Content scheduling

During the course, the student will deepen and develop his/her knowledge and skills as a professional in the field of creative wellbeing. The course is structured around the different themes of the contact days.

The students will work in multi-professional teams where they will share their knowledge and skills. Some parts of the course may be delivered in English and integrated into RDI projects.

The topics of the course include:
- ethics, values and quality in creative wellbeing activities
- evaluation and design of creative wellbeing activities and services
- expert communication and argumentation
- creative wellbeing as part of society; structures and politics
- funding and systemic thinking in the field of creative wellbeing and sustainable development.

The course builds on what has been learned in the course Creative Wellbeing as a Competence.

The course will start in August 2024 and will be implemented during the contact days of the Master School degree in Creative Wellbeing.

Contact teaching:

23rd August, 9.00-12.00
20th September, 9.00-12.00
10th October, 13.00-16.15
11th November, 9.00-12.00
15th November, 9.00-12.00
12th December, 9.00-12.00

The content of the course may be supplemented and adapted according to current themes and events.

Evaluation scale

Hyväksytty/Hylätty

Assessment methods and criteria

Assessment will be based on pre-assignments and learning tasks to be completed during the course, as well as active participation in the contact days. The course teachers will assess the completion of the task according to the instructions, the application and use of the source material, the fluency of multidisciplinary cooperation, the expression of own reflections and understandable, clear language. If the student uses artificial intelligence to complete the course, the student should indicate why, how and in which tasks it has been used. The assessment will focus on both completing the tasks and active participation.

Qualifications

Creative Wellbeing as a Competence course must be completed before this course.

Objective

After completing this course, the students will be able to
• critically evaluate and apply research knowledge
• use the chosen methods to analyse ja solve problems in working life
• work independently as an expert in demanding contexts in which he/she is managing his/her own and possibly also the others’ work in a target-oriented way
• communicate and network in his/her own field and in international environment
• take into account communal and ethical perspectives of his/her professional field

Content

An essential part of Master-level studies is a thesis of 30 credits. The thesis process starts immediately at the beginning of the studies, and it continues through the entire cycle of studies.

The thesis is implemented as a development project with a research-based approach and a close connection to practical work. The student carries out his/her development work at his/her workplace, in RDI projects of the Turku University of Applied Sciences, in working life connections or in a manner agreed with the supervisor. The thesis is based on commission, if possible. It is preferable that the thesis is based on an assignment.

The thesis relies on in-depth information gathering and analysis, and the development process utilizes relevant research methods following principles of good scientific practice. The thesis includes documenting and reporting on development activities. The student will become familiar with the methodological skills necessary for development and reporting in the course on research and development methods.

In Master’s programmes in Culture and Arts, the thesis is divided in two parts:
- A 5 credits course Development work methods and design (1st semester), and
- Implementation and reporting of the development project, 25 credits (2nd ja 3rd semester).

Implementation and reporting of the development project (25 ECTS) includes the following steps:
• Presenting the thesis plan and finalizing it making use of feedback
• Thesis agreement
• Implementation, related research activities and documentation of the work in accordance with industry practice and in a meaningful way for the thesis
• Participation in group supervision sessions (“thesis learning café”) and individual guidance of the thesis
• Presentation of the results after completion of the thesis
• Maturity test: The student must write a maturity examination in the field of the thesis. This demonstrates awareness with the subject and the linguistic competence. If the (excellent) competence of the school education language has already been assessed in previous studies, the maturity test will only serve as a test the professional expertise. The maturity test is evaluated on a scale approved/ failed.
• Ensuring that there is no plagiarism in the thesis and evaluation of the thesis

Evaluation scale

H-5